Weekly film analysis-Brazil




Brazil is a film made in 1985, directed by Terry Gilliam. It is of the dystopian genre and is set in a future which ironically turned out to be rather inaccurate. The plot is very unclear throughout the whole movie, but this is done with clear purpose. Although the plot is hard to follow and often leaves the viewer wondering why they are watching Brazil, it is very thought-provoking and interesting to watch, which is why the film is so watchable. The plot was not believable at all but this was all part of the genre.

The central goal of the movie was probably to express the opinions and views of the people who made the film, more so than to deliver a message or entertain the viewer in a certain way. A lot of symbolism was used in the film and there are many theories as to what the symbolism actually represents. An example of this is the flying scenes and especially when the ground begins to rise into the skies.

The characters were complex and hard to break down. The acting was very good and the characters felt strangely relatable, despite the movie offering no sense of relation at all at first sight. Although there were not really any stereotypes in the movie, there was a clear lack of ethnic and minority groups.

Brazil is a movie that people either love or hate. The director chose o tell the story in such a specifically unique way that it is hard to analyse it as such. The pacing of the movie switches very quickly, very often in the movie. It can feel as though literally nothing is happening, and then all of a sudden, military guys will cut a circle in the roof and arrest someone for barely any reason.


The music added an even more confusing effect to the film, but definitely was a positive aspect. The main theme is a happy-go-lucky song that is normally contrary to what is visually happening in the scene.

There were some very impressive shots in the movie considering the date of the movie's release. The use of CGI was good too. One of the best shots in the movie is the final scene in which the protagonist character is tied in a chair in a deep abyss looking environment. There is surprisingly no CGI in this scene and it actually filmed in a real place which makes it even more intriguing.

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